BA (Hons) Acting is a vocational training programme with an outstanding reputation for training actors in the skills of theatre, radio, TV and film; more recently encompassing motion capture and animation.
We are looking for your curiosity, imagination, and playfulness. You will be expressive people who are energetic, dynamic and driven to tell stories. We will teach you your craft and encourage you on the path to creative excellence. Through diverse creative modules, you’ll refine your skills and gain the experience needed to excel in a broad range of industry environments.
You’ll be trained by industry experts with specialisms in directing, voice and movement, acting, and theatre-making - academic professionals who continue to work in the field and many of whom are engaged in theatre and performance research.
Studying within our state-of-the-art theatre facilities in the heart of Manchester, a vibrant cultural hub, you'll have access to a wealth of theatres, festivals, and performance events, all of which will enrich your learning.
Watch the BA (Hons) Acting showreel. More videos of our students performing can be seen on the Acting Showcase page.
The first two years of this course are all about training. The third year is industry facing, preparing and readying our actors for the profession. The first year is entirely process driven with little emphasis on performing. The second year introduces elements of performance through workshops and culminates in a black box production readying the students for the third year.
In the first year of your training you will explore your voice, your body and your self. You will experience the ensemble as a tangible, meaningful presence and you will begin the rudiments of the actor’s craft, working with key principles derived in part from the work of Konstantin Stanislavsky, Uta Hagen and Michael Chekhov. You will learn how to read a play and turn dried ink into character and action. You will learn the rudiments of working on camera and have several opportunities to experience truthful self and the transformation into a present character. You will start to apply what you have learned in a series of scene studies working with both contemporary and European Naturalism texts. By the end of your first year you will have experienced using self as the basis of character and have established a personal, structured process to apply to rehearsal.
This foundational movement module will provide the groundwork for integrated movement actor training. You will develop core competencies in movement and embodiment while beginning to understand your unique physical acting process. The focus is on fostering presence, intentionality, and awareness of how the body and movement inform character, storytelling and the craft of acting.
This module establishes the principles of how to use your voice in a way that's easy, clear, and expressive. Through a variety of teaching methods, it will encourage you to rethink old habits while building new ones. By exploring the creation and development of sounds, you'll discover new ways of using your voice. This will help you speak and perform text - whether in speech or song - more effectively and safely.
This module introduces you to the fundamental principles and techniques of acting for stage, screen and devised theatre where you will explore a diverse range of acting methodologies. The module emphasises the development of foundational skills, text analysis and character creation.
In this module, you’ll explore the historical, cultural, and social dimensions of acting, theatre and performance. Drawing from a variety of theatrical traditions and contemporary practices, you will investigate how these shape narrative, character, and audience perception. Through a combination of workshops, critical discussions, and analysis, you will develop a nuanced understanding of your practice using research.
In the second year of your training, you will consolidate and develop what you have learned in the first year. You will work have considerably more experience in front of the camera as well as behind the mic. You will work with heightened stakes, intense feeling and poetic speech through your Shakespeare project and you will have further classes in singing, combat, acting for camera, improvisation, poetry, as well as deeper and more sustained scene studies in which to develop your process and hone your craft.
This module introduces complex texts including sonnets. The module requires you to be responsive to the challenges of verse structure, including meter, rhyme, enjambment, and caesura. A variety of practitioners’ methods will be demonstrated to allow your speech to become more robust and ensure you can approach any text with confidence and creativity. You will also be introduced to ensemble singing.
In this module you will integrate advanced movement practices to build a repertoire, applying your learning to characters, scenes and theatrical productions. By incorporating these advanced practices into your process, you will expand your movement vocabulary and physicality as an actor. This will develop sophistication in your approach to acting across multiple styles and genres.
You’ll engage with classical and contemporary text from a range of diverse authors, enabling you to interpret these pieces with cultural sensitivity and stylistic accuracy. This module also has a strong emphasis on collaborative creation and you will perform a theatre piece that integrates voice, movement and interdisciplinary elements.
This module invites you to deepen your understanding of acting, theatre and performance by researching history, culture and theory. You will reflect on your own practice and directly link this to the theories investigated.
Your final year is very much about preparing for and engaging with the profession. You will work with professional directors on at least one public performance per term. You will have workshops and talks from practitioners and professionals including successful directors of stage and screen, agents, producers, casting directors, artistic directors and many more. You will have the opportunity to audition for the various awards and bursaries, including the Sam Wannamaker Festival, the Carleton Hobbs Bursary Award (which we have won and come runner up in several times in recent years) the RSC weekend and many more. You will receive advice on auditions and self-tapes culminating in a series of mock auditions. You will also take part in the annual Showcase, which will be at our new theatre in Manchester and in a West End theatre in London.
In this module, you will enter a "pre-professional mode" as you work within a full-scale theatrical production. ‘Autumn Production’ serves as a valuable tool, allowing you to experience what it is like to work alongside an internal or external professional director, creative team and technical crew.
In this module, you will enter the “advanced pre-professional mode” as you work within a full-scale theatrical production with an alternate style to that of Autumn Production. Spring Production allows you to experience a different theatrical genre whilst working alongside an internal or external professional director, creative team and technical crew.
This module equips you with the essential knowledge and skills required to navigate the professional landscape. Through a series of engaging workshops and simulated experiences, you will learn about auditions, self-tapes and the business side of being a professional actor. This will give you the opportunity to develop an industry-standard professional portfolio.
In this module, you will explore the wider applications of theatre-making. You will be empowered to create your own projects individually or collaboratively, stepping into roles beyond the stage, thus experiencing the life of a multi-disciplinary artist.
Continuous assessment and public performances.
10 credits equates to 100 hours of study, which is a combination of lectures, seminars and practical sessions, and independent study. A three year degree qualification typically comprises 360 credits (120 credits per year). The exact composition of your study time and assessments for the course will vary according to your option choices and style of learning, but it could be—
Some of our recent visiting teachers and practitioners—
Also see Directors of Final Year Productions
Former students who have gone on to highly successful careers in film, television and theatre and graduates include Sarah Amankwah, Zawe Ashton, Zora Bishop, John Bradley, George Bukhari, Amanda Burton Steve Coogan, Ashley Gerlach, Richard Griffiths, Graeme Hawley, Zoe Henry, Bernard Hill, Noreen Kershaw, Elliot Knight, Adam Kotz, Nathan McMullen, Yasmin Mwanza, David Threlfall, John Thomson, Annie Wallace, Julie Walters CBE, Assad Zaman.
Apply through UCAS.
We will invite you for an Audition.
You will be notified of our decision through UCAS.
UCAS Tariff Points/Grades Required | 104-112. GCE A levels - grades BCC or equivalent Pearson BTEC National Extended Diploma - grade DMM Access to HE Diploma - Pass overall with a minimum 106 UCAS Tariff points UAL Level 3 Extended Diploma - grade of Merit overall OCR Cambridge Technical Extended Diploma - grade DMM T level - We welcome applications from students undertaking T level qualifications. Eligible applicants will be asked to achieve a minimum overall grade of Merit as a condition of offer IB Diploma - Pass overall with a minimum overall score of 26 or minimum 104-112 UCAS Tariff points from three Higher Level subjects Other Level 3 qualifications equivalent to GCE A level are also considered. A maximum of three A level-equivalent qualifications will be accepted towards meeting the UCAS tariff requirement. AS levels, or qualifications equivalent to AS level, are not accepted. The Extended Project qualification (EPQ) may be accepted towards entry, in conjunction with two A-level equivalent qualifications. Please contact the University directly if you are unsure whether you meet the minimum entry requirements for the course |
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Specific GCSE Requirements | GCSE grade C/4 in English Language or equivalent, e.g. Pass in Level 2 Functional Skills English |
Additional Requirements | Please note the University does not accept deferred applications or advanced entry applications for this course Audition required. The course is highly competitive and you may be called back to a second or even third audition. Further details |
International Baccalaureate | IB Diploma with minimum 26 points overall or 104 UCAS Tariff points from Higher Level. If you plan to meet the Level 2 course requirements through your IB Diploma you will need to achieve Higher Level 4 or Standard Level 5 in English Points |
A minimum IELTS score of 6.0 overall with no individual element below 5.5 is required.
There’s further information for international students on our international website if you’re applying with non-UK qualifications.
The fees for 2026 entry are still to be confirmed.
See Funding your studies for further information and advice.
Headshots
Year 2 professional 'headshot' photography approximately £150 - £400 (mandatory).
Specialist equipment
Knee pads for movement - prices start from £10 (optional).
Spotlight membership - Final year - £75 initial joining fee, rising to £154 per year (mandatory).
Equity membership – Years 1/2/3 initial joining fee £49.50 per year rising with annual income (optional).
Field trip
Final year mandatory trip - Return ticket to London for Showcase between £70-£100 (based on rail ticket) subject to change. Other modes of transport can be used, and prices start from £7.50 (based on coach ticket) subject to change.
Laptop
We would encourage students to have or buy a laptop at onset of the course, to facilitate the best possible learning environment. The approximate cost of this could be between £500 - £1000.
Should a student be unable to purchase a laptop, or use an existing one, we have on-site PC labs and the option to borrow laptops from the library.
* All amounts shown are estimates.