Kevin Egan
Senior Lecturer
Drama and Contemporary Performance
I am a professional theatre maker, performer, consultant, academic. I am a Senior Lecturer in Contemporary Performance at Manchester School of Theatre, teaching on the BA Drama and Contemporary Performance and MA/MFA Performance programmes. I am a core member and trustee of the internationally renowned theatre company Reckless Sleepers and have devised and performed in several projects including Schrodinger (2011), Negative Space (2014), It's Hot, It's Not (2019) and Binary Opposition (2025), having worked with the company since 2007. I am a core member of the Performance Research Group, and my research examines performance scoring and the application of a musicological methodology in the devising of performance. Recent publications include a co-authored article titled, Staging scores: Devising contemporary performances from classical music (2022), and a chapter in the book Following the Score: The Ravel Trilogy (2024), published by Intellect. Presently, I am part of the editorial team for the Special Issue of Performance Research, titled On Scores (Vol 30 No. 6).
My work with Reckless Sleepers has toured internationally and in the UK, taking projects to many festivals and venues over my almost 20 years of involvement, including:
- Theatre 140 - Brussels, Belgium
- MA Scène Nationale - Montbéliard, France
- Wonderland Festival - Brescia, Italy
- FIMP Festival - Aveiro, Portugal
- La Manufacture Avignon (off) Festival - France
- T-Werk Unidram Festival - Potsdam, Germany
- Cultuurcentrum Brugge - Belgium
- Les Théâtres de la Ville de Luxembourg
- Bronks - Brussels, Belgium
- Hakawy International Arts Festival for Children - Cairo, Egypt
- SPOM Internationales Musik & Theaterfestival - Hamburg, Germany
- The Lowry - Salford, UK
- Theatre by the Lake - Keswick, UK
- Compass Live Art Festival - Leeds, UK
- Nuffield Theatre - Lancaster, UK
- Aberystwyth Arts Centre - UK
- Circomedia - Bristol, UK
- New Adelphi - Salford, UK
- The Curve - Leicester, UK
- Arnolfini - Bristol, UK
- Warwick Arts Centre - UK
- The Place - London, UK
- West Yorkshire Playhouse - UK
- The Point - Eastleigh, UK
- Contact - Manchester, UK
Alongside my work with Reckless Sleepers I also lead my own creative projects, workshops, and performances, as well as collaborating with other artists and companies. For example, I am working on a new music-theatre project with Michael Pinchbeck, titled Matchstalks Remastered, and have recently delivered workshops at Arden, Salford University and HOME in relation to my research on scored theatre and my work on translating music scores as scripts for performance.
Projects
Binary Opposition (2025) by Reckless Sleepers
Enter a world of mirror-image rooms, shifting logic, and playful disruptions of identity with Reckless Sleepers brand-new work Binary Opposition, their most visually and conceptually ambitious project yet. Commissioned by Lowry, this new work offers a bold reflection on symmetry, collision, and theatrical possibility.
At its heart, Binary Opposition is an investigation of duality. On stage sits a large construction: two adjoining rooms separated by a dividing wall. Within this space Reckless Sleepers explore entrances and exits, mistaken identities, and the collision of time and space.
Drawing on threads from their earlier works the company remixes their past, allowing moments to spill, overlap, invert, or mirror each other. If in one side it's dark; the other would be light. In one room it's full on the other side empty.
Binary Opposition is more than a performance--it has been evolving through workshops with children and young people both in the UK and Europe, installations of the wooden frame structure (that defines the two rooms).
It is a culmination of over 20 years of Reckless Sleepers' exploration of form, structure, rules, logic and space. The project builds on earlier works, Schrödinger (Black) and Negative Space (White) and bringing these two performances together. But is not simply retrospective; it is a living, breathing experiment, one where past meets the present.
It's Hot, It's Not (2019) by Reckless Sleepers
Reckless Sleepers is an extraordinary company who make work between visual art, dance & theatre. This surreal, funny & carefully crafted physical performance explores the weather in all its forms & takes delight in discovering the world anew & how we experience it differently, wherever we are. In the summer we produced a text. "It’s hot" referring to the ambient temperature, "it’s not" referring to a cold glass of water. In the autumn we advanced this word play assimilation into gestural assimilation so that a simple action would evolve & grow into something bigger. A relaxed stretch (as if on a sun lounger) becomes a two man rowing race, a fan becomes a wave, a wave becomes a sequence of swatting an imaginary fly. And so It's Hot, It's Not was born. We’d found a new process of generating performance materials. Something playful, something familiar to the worlds that we create, but different enough to be a challenge. It's Hot, It's Not is inevitably about the weather; we've experienced the hottest, wettest & coldest temperatures on record and of course we cant ignore this. But it's not what a project is about that interests us, it's about what it does. It's Hot, It's Not plays with the idea of accumulation and cause and effect. Gestures, movements and objects move in and out of focus; they get collected, they get bigger, they get smaller, they get used in different ways. Ideas and stories appear and disappear, like a child looking up at the clouds and noticing what they look like, what they imagine them to be, what they could be - and then the wind changes and the next formation appears, and the game begins again.
A Unicorn Production in association with Reckless Sleepers
Presented at Unicorn theatre from 2nd February - 10th March 2019
Created in Polverigi, Gent and London
Director Mole Wetherell
Devised and performed by Mole Wetherell, Kevin Egan, Tim Ingram, Leen Dewilde, Alex Covel, Rachel Piekarczyk, Rebecca Young, Olivia McGrath.
Made with the support of INTEATRO Creative Residency
Presented at:
Quarterhouse - Folkestone
Dartington Arts - Totnes
Spark Arts for Children Festival - The Curve Leicester
The Egg - Bath
Bronks - Brussels
The Lowry - Salford
MA Scène Nationale - Montbéliard
Theatre by the Lake - Keswick
Déda - Derby
bOing Festival - Gulbenkian Canterbury
Hakawy International Arts Festival for Children - Cairo
SWOP Festival - Roskilde Denmark
SPOM Internationales Musik & Theaterfestival
Matchstalks Remastered (2023) by Egan and Pinchbeck
Kevin Egan & Michael Pinchbeck apply their approach of devising contemporary performance from musical stimuli to the 1978 hit, ‘Matchstalk Men and Matchstalk Cats and Dogs’. They translate the track, inspired by the paintings of LS Lowry, into a series of theatrical motifs. Following the song’s structure, the piece is broken down into scenes exploring the visual language of Lowry’s paintings and the song’s lyrical poetry. Egan & Pinchbeck question how painting becomes music, music becomes theatre, people become performers. The project draws on the history of Lowry, with access to Special Collections, Manchester School of Art, where he studied painting. Presented at Future Flares Festival and Contact Theatre.
Negative Space (2014) by Reckless Sleepers
To begin, Reckless Sleepers built a room-sized wooden frame and lined it with plasterboard. For several weeks they started smashing it up, smashing it down, then piecing together the fragments of their destruction back together. The result is this show, Negative Space. From a blank architectural canvas, something fantastical emerges. It's a love story. It's a slapstick comedy. It's slasher, action, melodrama...and not a single word is spoken. Soon different possible stories are spiralling around, hurtling towards an ending.
Created in Gent and Canterbury in the summer of 2014
Project premiere Compass Live Art Festival Leeds
Director Mole Wetherell
Devised and performed by Alex Covel, Leentje Van De Cruys, Leen Dewilde, Kevin Egan, Tim Ingram, Mole Wetherell, Rebecca Young & Rachel Rimmer-Piekarczyk.
Dramaturg SJ Bailes
Producer Kate Perridge
Presented at
Compass Live Art Festival Leeds
Axis Arts Centre Crewe
Gulbenkian Canterbury
Theatre 140 Brussels
Contact Manchester
Nuffield Theatre Lancaster
The Arts Centre Edge Hill University Ormskirk
ACCA Sussex University Brighton
Aberystwyth Arts Centre
The Capstone Theatre Liverpool
MA Scène Nationale Pays de Montbéliard
Cast Doncaster
Circomedia Bristol
Southbank London
New Adelphi Salford
Wonderland Festival Brescia Italy
FIMP Festival Aveiro Portugal
La Manufacture Avignon (off) Festival
T-Werk Potsdam Germany 4th November 8pm Unidram Festival
Schrödinger (2011) by Reckless Sleepers
In 1933 Erwin Schrödinger won the Nobel Prize for his contribution to Quantum Mechanics. He theorized a box in which a cat exists as living and dead at the same time. In 1998 Reckless Sleepers built that box – and now over a decade later, they are climbing back inside. In one of the company’s most celebrated performance pieces the impossible is probable, and truth and illusion are inseparable. Laws are made, bent and then broken. Schrödinger is a visually mesmerizing performance that sways between question and answer, chaos and order, what we can measure and what we cannot.
Schrödinger was commissioned by CC Brugge in 2011.
Based on the original Schrödinger's Box 1998 - 2001
Director Mole Wetherell
Perfromers Alex Covell, Leen Dewilde, Kevin Egan, Leentje Van De Cruys, Mole Wetherell, Rebecca Young.
Presented at:
CC Brugge
The Curve Leicester
The Lowry Salford
Arnolfini Bristol
Warwick Arts Centre
Axis AC Crewe
The Nuffiled Lancaster
The Place London
West Yorkshire Playhouse/Compass Live Art Leeds
The Point Eastleigh
The Gulbenkian Canterbury
Falmouth AC
Exeter Phoenix
The Basement/SE Dance at The Old Market Brighton
A.E. Harris Birmingham
Arc Stockton
Sherman Cardiff World Theatre Design Symposium
Theater140 Brussels
Neat14 at Nottingham Contemporary
Les Théâtres de la Ville de Luxembourg
Contact Manchester
Axis AC Crewe
New Adelphi Theatre, Salford
Research
Research Interests
My research interests are broadly situated within the domain of live art and contemporary theatre, particularly with regard to current trends in theatrical composition and collaborative development. My MA thesis was focused on Goat Island’s use of 'gift and counter-gift' throughout the development of their work; exploring how audiences engage with, and feed in to, the company’s creative process. My research is also focussed around the notion of scored theatre and the appropriation of musical discourse as a compositional tool within contemporary theatre practice. My writing often draws on my association with the theatre company Reckless Sleepers, articulating the methods, perspectives, and ideas that are generated and refined in the making of performance projects.
Exhibitions
Egan, K., 2015. Constructing Negative Space, Axis Arts Centre, 3/2/2015.
Performances
Reckless Sleepers, , Wetherell, M., Egan, K., Rimmer-Piekarczyk, R., 2025. 'Binary Opposition', Lowry, 7/10/2025 - 8/10/2025.
Wetherell, M., 2019. 'It's Hot, It's Not', Unicorn Theatre, London, 5/2/2019.
Wetherell, M., 2014. 'Negative Space by Reckless Sleepers', International Tour, 19/11/2014.
Mackenzie, N., 2013. 'Three Sisters by Plane Performance', National Tour, 8/3/2013.
Wetherell, M., 2012. 'Empire by Reckless Sleepers', Warwick Arts Centre, 22/11/2012.
Wetherell, M., 2011. 'Schrödinger by Reckless Sleepers', International Tour, 1/3/2011.
Book Chapters
Egan, K., 2024. 'A Score of a Score of a Score: examining concerto through Ravel's composition'. In Pinchbeck, M., Smith, O. (eds.) Following the Score: The Ravel Trilogy, pp. 95-122, Intellect, Bristol.
Internet Publications
Pinchbeck, M., Egan, K., 2012. 'Dramaturgy in Dialogue: Kevin Egan (Outside Eye Project)', https://outsideeyeproject.wordpress.com/2012/04/08/dramaturgy-in-dialogue-kevin-egan/.
Journal Articles
Pinchbeck, M., Egan, K., 2022. 'Staging Scores: Devising Contemporary Performances from Classical Music', Representing Classical Music in the Twenty-First Century, 7 (457).
Egan, K., 2018. 'Schrödinger's notes: a minimalist equation for a Reckless Sleepers project', Studies in Theatre and Performance, 39 (2), pp. 177-197.
Egan, K., 2013. 'Backpages 23.3: An Introduction to the Work of Reckless Sleepers', Contemporary Theatre Review, 23 (3), pp. 454-454.
Conference Papers
Rimmer-Piekarczyk, R., Egan, K., 2025. 'Navigating Participation, Protest and Resistance in Reckless Sleepers' Binary Opposition Project.', Participation, Engagement and Creativity in the Performing Arts, University of Malta, 5/3/2025 - 8/3/2025.
Egan, K., Pinchbeck, M., 2023. 'Matchstalks Re-mastered: (De)composing popular music scores for contemporary performance', Performing Scores / Scoring Performance, HOME, Manchester, 11/7/2023 - 12/7/2023.
Egan, K., 2010. 'The Score as Text: music analysis, (de)composition, and the textual landscape in Plane Performance's Traviata project.', Text and Theatre Symposium, Manchester Metropolitan University, 25/3/2010 - 26/3/2010.
Presentations
Rimmer-Piekarczyk, R., Egan, K., 2025. 'Navigating Participation, Protest and Resistance in Reckless Sleepers' Binary Opposition Project.'.
Other Outputs
Egan, K., Wetherell, M., 2020. 'Discussing Negative Space: 10 Questions for Reckless Sleepers'.
Egan, K., 2015. 'Constructing Negative Space'.
Mackenzie, N.K., 2014. 'The Flare Weekender 2014'.
Mackenzie, N.K., 2011. 'The Flare International Festival of New Theatre 2011 (Exhibition)'.
Mackenzie, N.K., Egan, K., Fenemore, A., 2010. 'Traviata by Plane Performance, devised theatre composition, presented at the Text and Theatre Symposium MMU Cheshire.'.
Mackenzie, N.K., Egan, K., 2008. 'Manchester International Student Theatre Festival, presented at Greenroom, Zion Arts Centre, Capitol Theatre, supported by Arts Council England, MMU and Greenroom.'.






























