Dr Josh Edelman
Reader in Drama and Contemporary Performance
Academic and Professional Qualifications
AB, Study of Religion, Harvard University
MPhil, Theology and the Arts, University of St Andrews
PhD, Theatre, Trinity College, Dublin
Fellow in Research and Enterprise, The Royal Central School of Speech and Drama, University of London, 2011-2014
Associate Lecturer, Birkbeck, University of London, 2014-2015
Academic Service (Administration and Management)
Founding co-convenor of the Performance, Religion and Spirituality Working Group of the International Federation for Theatre Research
Founding member of the Project on European Theatre Systems (STEP)
German (a little)
I teach on a number of units in MMU's drama programme, including all three years of the Texts, Contexts and History strand. I supervise students on Theatre Practice and Advanced Theatre Practice, and teach on the first year Practice and Performance unit.
I have worked as a professional theatre director — in New York, Texas, and Dublin — for over a decade.
Community, Charity and NGO links
I am one of the volunteer co-ordinators of the Asylum Seeker Drop-In Centre at West London Synagogue.
Government and Industry Links
I have served as an expert advisor on theatre policy to An Chomhairle Ealaíon / The Arts Council of Ireland.
Membership of Professional Associations
Foudning co-editor, Performance, Religion and Spirituality
Member, Project on European Theatre Systems
Founding Co-convenor, Performance and Religion Working Group of the International Federation for Theatre Research
My two primary areas of research are, first, the relationships between performance, ritual and religion in the modern West, and second, the overlaps between politics, policy and theatremaking in contemporary Europe. I also work on contemporary Irish performance, experiments in audiencing, and new writing.
I am the founding co-convenor of the Performance and Religion Working Group of the International Federation of Theatre Research (IFTR), the world's leading theatre research body. The working group includes members from six continents and representing most of the world's major religious and theatrical traditions, and we welcome researchers at all stages in their career, from graduate students to senior scholars.
I am also a founding member of the Project on European Theatre Systems (STEP), a group of sociologically-minded theatre and cultural policy scholars from around Europe. We study theatre as a social process in dialogue with theatre makers and policy workers, and for both academic and public audiences.
I am also a member of the interdisciplinary Heavenly Acts research network, based at the University of Sheffield, which looks at the performativity of religion in an interdisciplinary context. I have also worked with the International Summer School at Mainz, the Mellon Summer School at Harvard, and Performance Studies International.
I have given invited lectures at the universities of Warwick, Goldsmiths, Royal Holloway, St Andrews, Sheffield, Mainz and Zurich.
I served as principal investigator on the project 'The value of subsidised, commercial and amateur theatre and dance for Tyneside’s audiences,' funded by the Arts and Humanities Research Council (AHRC) under the Cultural Values Project in 2014. My co-investigator was Dr Tony Fisher of the Royal Central School of Speech and Drama, University of London.
Josh Edelman is a member of the Art and Performance Research Hub.
A selection of recent research outputs.
Edelman, J., Hansen, LE., van den Hoogen, QL., 2016. 'The Problem of Theatrical Autonomy. Analysing Theatre as a Social Practice', Amsterdam University Press.
Edelman, J., Chambers, C., Toit, SD., 2013. 'Performing Religion in Public', Palgrave Macmillan.
Edelman, J., 2020. 'Mike Daisey's False Witness'. In Cremora, VA., Schoenmakers, H., Rowen, B. (eds.) Theatre Scandals, pp. 216-236, BRILL.
Edelman, JA., 2019. 'Occupation and Sacred Space in a Post-Secular Society''. In Battista, S. (eds.) Sacred Places: Performances, Politics and Ecologies.
Edelman, JA., 2019. 'Welcoming a Torah to Northwood: On the Anthropology of Religion and Performance Studies'. In Rosowsky, A. (eds.) Heavenly Acts: Aspects of Performance in Fath Settings, pp. 12-28, Cambridge Scholars Publishing.
Edelman, JA., 2017. 'Spiritual voyeurism and cultural nostalgia: Anglophone visitors to the Oberammergau Passion Play, 1870-2010'. In Whetmore, K. (eds.) The Oberammergau Passion Play: Essays on the 2010 Performance and the Centuries-long Tradition, pp. 66-87, McFarland.
Edelman, JA., 2014. 'Betrayal and What Follows: Rituals of Repentance, Healing and Anger in Response to the Church Sexual Abuse Scandal in Ireland'. In Reinelt, J., Rai, S. (eds.) The Grammar of Politics and Performance, Routledge.
Edelman, JA., 2009. 'Forms, Fragments, and Fictions in Adrienne Kennedy's The Owl Answers'. In Fictional Realities / Real Fictions. Contemporary Theatre in Search of a New Mimetic Paradigm, Cambridge Scholars Publishing.
Edelman, JA., Shiel, A., 2009. 'Internationalization and the Irish State's Relationship to Theatre and Opera'. In Global Changes--local Stages How Theatre Functions in Smaller European Countries, Rodopi.
Edelman, JA., 2009. 'Theatre Planning in Ireland: A Cautionary Tale'. In Global Changes--local Stages How Theatre Functions in Smaller European Countries, Rodopi.
Edelman, JA., 2007. 'Can An Act Be True? The possibilities of the dramatic metaphor for theology within a post-Stanislavskian dramaturgy'. In Faithful Performances Enacting Christian Tradition, Ashgate Publishing, Ltd..
Edelman, JA., Sorli, M., Fisher, T., 2014. 'The Value of Subsidised, Commercial and Amateur Theatre and Dance for Tyneside's Audiences', Arts and Humanities Research Council.
Edelman, JA., Sloboda, J., O'Neill, S., 2016. 'Opera and Emotion: The Cultural Value of Attendance for the Highly Engaged'.
Edelman, J., 2016. '<i>Playing God: The Bible on the Broadway Stage</i> by Henry Bial', Contemporary Theatre Review, 26 (4), pp. 515-517.
Edelman, JA., Sloboda, J., O'Neill, S., 2016. 'Opera and Emotion: The Cultural Value of Attendance for the Highly Engaged', Participations: journal of audience and reception studies, 13 (1), pp. 24-50.
Edelman, JA., 2016. 'The Theatrical Public Sphere. By Christopher B. Balme.', Theatre Research International.
Edelman, J., Sorli, M., 2015. 'Measuring the value of theatre for Tyneside audiences', Cultural Trends, 24 (3), pp. 232-244.
Edelman, J., 2015. 'Sensational Devotion: Evangelical Performance in Twenty-First-Century America by Jill Stevenson', Contemporary Theatre Review, 25 (3), pp. 436-437.
van Maanen, H., Sorli, M., Toome, H., Wilders, ML., Edelman, JA., Szabó, A., Balkányi, M., 2015. 'Spectators, Who are They? A demographic analysis of theatre audiences in four European cities', Amfiteater: Journal of Performing Arts Theory, 3 (1-2), pp. 280-303.
Edelman, JA., van Maanen, H., Sorli, M., 2015. 'STEP into the Provinces: The theatre systems and audience experiences of smaller European cities', Amfiteater: Journal of Performing Arts Theory, 3 (1-2), pp. 221-233.
van Maanen, H., Edelman, JA., Balkányi, M., Bremgartner, MP., Hansen, L., Saro, A., Schappach, B., Sorli, M., Toome, H., Szabó, A., 2015. 'Theatre Systems Compared', Amfiteater: Journal of Performing Arts Theory, 3 (1-2), pp. 234-255.
Edelman, J., 2014. 'Clerical Betrayal and Christian Affirmation', Performance Research, 19 (2), pp. 35-43.
Edelman, JA., Skjoldager-Nielsen, K., 2014. 'LIminal/liminality', Ecumenica, 7 (1 and 2).
Edelman, JA., 2013. 'The Debbie Friedman Problem: Performing Tradition, Memory, and Modernity in Progressive Jewish Liturgy', Liturgy, 28 (1), pp. 6-17.
Edelman, JA., 2012. 'What phenomenology can bring to theatre sociolgy, and what it cannot', Nordic Theatre Studies, 24.
Edelman, JA., 2009. 'What is a theatre company? The Irish Example', Peripeti : tidsskritft for dramaturgiske studier, 12, pp. 55-66.
Edelman, J., 2014. 'Measuring the value of theatre for Tyneside audiences & The Value of Subsidised, Commercial and Amateur Theatre and Dance for Tyneside's Audiences'.